Rahul Sadasivan is one of the most popular names in Indian cinema for redefining the horror genre. After the critically acclaimed Bhoothakaalam, the director returns with Dies Irae. However, this time he is back with a chilling psychological horror starring Pranav Mohanlal. Still, the result is nothing show of extraordinary.
The film is released to an eager audience, especially within the UAE Malayali community. However, Dies Irae solidifies the position of the director as a visionary storyteller who understands fair not as noise, but as silence. He represents a creeping sensation that settles deep beneath the skin. Let us learn more with the Dies Irae review.
Plot Breakdown — Horror Meets Emotional Depth
The film opens with Madhu (Jibin Gopinath), a building contractor who encounters the trauma of his young neighbour Kani’s mysterious death. Later, Rahul seamlessly transitions the narrative into the world of Rohan (Pranav Mohanlal). He is a wealthy but reckless young man who once shared a short but intense relationship with Kani.

When Rohan learnt about her supposed suicide and stole her hair clips casually from her home, an unexplained horror tale started unfolding. However, the sounds of anklets, unsettling presences, and violent paranormal attacks force him to confront a chilling truth: Kani’s soul isn’t at peace — and she is back for a reason.
After that, the film follows a gripping tale where fear is not loud. Instead, it whispers, creeps, and tightens its grip scene by scene. Rohan seeks Madhu’s help. Hence, it leads to a haunting journey of guilt, emotional reckoning, and supernatural confrontation.
Performances and Direction — Pranav Mohanlal Shines

Pranav Mohanlal delivers his most intense performance to date with Dies Irae. His transformation from privileged arrogance to fear-crushed vulnerability feels organic and natural.
On the other hand, the real brilliance of the movie lies in the direction of Rahul Sadasivan. Instead of depending on the jumps and clitches, he uses the following elements:
- Atmospheric storytelling
- Silent suspense over loud shocks
- Emotional motivation instead of hollow fantasy
- Minimal yet powerful supernatural presence
On the other hand, the character of Madhu evolves beautifully, like the Batman theme of discovering one’s purpose. He uncovers the layers of intuition and spiritual energy.
Sound, Music & Visual Craftsmanship
The background score of Christo Xavier deserves special appreciation. It enters gently and rises like a storm. However, it never aims to frighten you, but it focuses on consuming you. On the other hand, Cinematographer Shehnad Jalal plays with light and shadow like a painter. He created an environment where even a breeze across hair feels eerie. In short, the film is a treat for the UAE theatregoers who love atmospheric cinema (Hereditary, Psycho, The Babadook-style)
What Makes Dies Irae Stand Out?
| Typical Horror Tropes | Rahul Approach |
| Exorcisms, priests, clichés | None — organic supernatural build-up |
| Constant jump scares | Minimal scares, maximum dread |
| Ghost always visible | Rare but powerful appearances |
| Noise-based horror | Atmosphere, silence & emotional pain |
| Generic revenge spirit | Morally layered, psychological trauma |
Therefore, we said it before, Rahul does not only scare the audience. Instead, he boosted the horror cinema of India.
Why UAE Audiences Will Love This Film
Malayali audience in the United Arab Emirates (UAE) has always enjoyed the meaningful horror. So, the movie will provide them with the following treats:
- World-class filmmaking
- Deep emotional resonance
- Smart horror, not gimmicks
- A stunning Pranav Mohanlal performance
This is the kind of movie that will leave a long-lasting impression on your brain.
Verdict — Rahul Sadasivan delivers A Modern Malayalam Horror Classic
Dies Irae is haunting, poetic, visually rich, and emotionally weighted. With this film, Rahul Sadasivan proves again that horror is not about screaming. Instead, it is about silence that suffocates.
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